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Werner Sun
Ithaca, New York, United States
I have always been inspired by the mobiles of Alexander Calder, and I try to capture the same lightness and grace in my own sculptures. However, being a particle physicist, I am also interested in bringing invisible, abstract ideas to life and giving them tangible form. Mapping the space between the poetic and the analytic is the unspoken subject of my work. My sculptures range in size from miniature wall mobiles to room-filling installations, and I employ a variety of materials: metal, wood, stone, polymer clay, paper, and found objects. I work primarily with a geometric vocabulary, arranging blocks of color into compositions that are both organized and flexible. Indeed, it is this balance between stability and chaos, control and movement, that animates my work and my imagination.
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Tuesday, January 19, 2010

Map Study


In this new box-shaped mobile (25" H x 18" W), I'm extending the idea of colliding pieces that I stumbled upon here. Each of the two large C-shaped wires has another suspended piece inside, which is free to rotate until it hits the C itself. I also wanted the two C's to echo each other like the two side-by-side copies in a stereoscopic image. This is a new technique for filling empty spaces in a composition.

The colliding pieces also allows wires to cross at right angles, like two roads at an intersection. In fact, except for the bird-like flat pieces, this mobile reminds me of a subway map. Eventually, I want to make a room-sized installation based on this concept. I envision a series of mobiles depicting detailed imaginary three-dimensional maps. But these maps would be absurdly impractical because mobiles have no fixed reality -- all the parts move around relative to each other. These flexible, evolving maps would only convey vague impressions of an ever-shifting geography.

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